UN-EXPOSING/影像连结
WHERE ARE YOU FROM
SING INTO THE VIRTUAL PRIVATE NETWORK
WINDOW
The FEEDBACK OF LOOKING
FANTASY OF BEING IN EXILE
100 Ft.
THE LAST SHOOT
SEEING AND HUMMING
JIYŪ• BUZIYOU 自由·不自由
SEE,AGAIN,THE PASSING OF LIGHT/再び、見る、消え去る光
BE PRESENT WITH THE SHADOW
WEB CAM DIES IN THE SEA
SHADOW OF THE SHADOW/WANG LIANG WEN JING
MANIFESTO
FANTASY FOR SOLITUDE
CV
Bio
影像连结/UN-EXPOSING (2019-2020)
hd video, 35mm photography
I’ve been trying to resist, resist by proposing to un-expose, to un-do the gaze. I’ve been trying to mediate through my videos and images, as if there is a more vulnerable cry that bleeds out from the machine and our eyes while oscillating between worlds. The images I gather show a state of in between – not being “in-between” because of representational identity, but between me and the medium, between the medium and the world.
Included in the book Our Manifesto II: Videography Documentary Impulse
《我們的錄像宣言2: 記述的衝動》
Floating Projects 「據點 句點」, Hong Kong
http://floatingprojectscollective.net/art-notes/linda-lai-in-defense-of-video-manifestos-5/
Collected by Floating Projects 「據點 句點」and Videotage, Hong Kong
I’ve been trying to resist, resist by proposing to un-expose, to un-do the gaze. I’ve been trying to mediate through my videos and images, as if there is a more vulnerable cry that bleeds out from the machine and our eyes while oscillating between worlds. The images I gather show a state of in between – not being “in-between” because of representational identity, but between me and the medium, between the medium and the world.
Included in the book Our Manifesto II: Videography Documentary Impulse
《我們的錄像宣言2: 記述的衝動》
Floating Projects 「據點 句點」, Hong Kong
http://floatingprojectscollective.net/art-notes/linda-lai-in-defense-of-video-manifestos-5/
Collected by Floating Projects 「據點 句點」and Videotage, Hong Kong
