SEE, AGAIN, THE PASSING OF LIGHT 再び、見る、消え去る光 (2019)
Network/Web/Internet
SATELLITE IMAGE EXCHANGE
ALL JUST FRESH-OFF-THE-BOAT OR FLOATING
LIANAS
IMAGE_EXCHANGEACCIDENTAL PHONE CAPTURE SERIES
Performance (on-site + online)
I’M SORRY: A PERFORMED APOLOGY
边/GRAB AND SHOOT BETWEEN SIDES
THE LAST SHOOT III
WEB CAM DIES IN THE SEA
SHADOW OF THE SHADOW/罔两问景
AI
VITIV
Film/Video
氣/Qi
HUA清池观看游记/HUA QING CHI TRAVEL NOTES
UN-EXPOSING/影像连结
WHERE ARE YOU FROM
SING INTO THE VIRTUAL PRIVATE NETWORK
WINDOW
The FEEDBACK OF LOOKING
FANTASY OF BEING IN EXILE
100 Ft.
Installation
捕/Capture: A Solo Exhibition
降B调的玻璃罩/GLASS COVER IN B FLAT
THE LAST SHOOT
SEEING AND HUMMING
JIYŪ• BUZIYOU 自由·不自由
SEE,AGAIN,THE PASSING OF LIGHT/
再び、見る、消え去る光
Writing
MANIFESTO
FANTASY FOR SOLITUDE
WRITINGS & NOTES
ABOUT
MYSELF, MY PATHS, AND MY WORKS
wood, paper, black plastic board, projector, speaker.
9 hours / hd video / black and white / sound.
Okunojima Lighthouse
Site-specific video installation
Shikoku-mura. Yashima, Kagawa, Japan.
2019 Setouchi Triennale
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When Okunojima “disappeared” from the map due to the production of chemical weapons, the Okunojima Lighthouse remained standing and continued to observe and give its light to the world. Currently, the lighthouse stands here on Yashima, holding the history of the Yashima Genpei War in 1185. Witnessing conflicts and change, Okunojima Lighthouse stayed “out of time.”
Coming to Yashima from the outside, I bring observations of changes and conflicts from other lands as well. What is our relationship with the outside world today – other cultures, ruling powers or conflicting ideologies? How do we see; how should we enter? What to remember, or to forget? Light or shadow? Danger or safety? Dream or memory?
Between real-time obscura image and the nine-hour long digital video projection, every second is a new life. Light and shadow alternate in a three-second interval, the same pattern as the beam of light projected from the original lighthouse. We go inside this lighthouse to see again what is on the outside. We unsee the images to see again.
How I wish to become a lighthouse.
9 hours / hd video / black and white / sound.
Okunojima Lighthouse
Site-specific video installation
Shikoku-mura. Yashima, Kagawa, Japan.
2019 Setouchi Triennale
When Okunojima “disappeared” from the map due to the production of chemical weapons, the Okunojima Lighthouse remained standing and continued to observe and give its light to the world. Currently, the lighthouse stands here on Yashima, holding the history of the Yashima Genpei War in 1185. Witnessing conflicts and change, Okunojima Lighthouse stayed “out of time.”
Coming to Yashima from the outside, I bring observations of changes and conflicts from other lands as well. What is our relationship with the outside world today – other cultures, ruling powers or conflicting ideologies? How do we see; how should we enter? What to remember, or to forget? Light or shadow? Danger or safety? Dream or memory?
Between real-time obscura image and the nine-hour long digital video projection, every second is a new life. Light and shadow alternate in a three-second interval, the same pattern as the beam of light projected from the original lighthouse. We go inside this lighthouse to see again what is on the outside. We unsee the images to see again.
How I wish to become a lighthouse.
