hua xi zi 滑惜子
I’M SORRY: A PERFORMED APOLOGY
边/GRAB AND SHOOT BETWEEN SIDES
THE LAST SHOOT III
WEB CAM DIES IN THE SEA
SHADOW OF THE SHADOW/WANG LIANG WEN JING
LIANAS
IMAGE_EXCHANGE
ACCIDENTAL PHONE CAPTURE SERIES
VITIV
氣/Qi
HUA清池观看游记/HUA QING CHI TRAVEL NOTES
UN-EXPOSING/影像连结
WHERE ARE YOU FROM
SING INTO THE VIRTUAL PRIVATE NETWORK
WINDOW
The FEEDBACK OF LOOKING
FANTASY OF BEING IN EXILE
100 Ft.
捕/Capture: A Solo Show
降B调的玻璃罩/GLASS COVER IN B FLAT
THE LAST SHOOT
SEEING AND HUMMING
JIYŪ• BUZIYOU/自由·不自由
SEE,AGAIN,THE PASSING OF LIGHT/再び、見る、消え去る光
MANIFESTO
FANTASY FOR SOLITUDE
WRITINGS & NOTES
ABOUT
MYSELF, MY PATHS, AND MY WORKS
I’M SORRY: A PERFORMED APOLOGY
边/GRAB AND SHOOT BETWEEN SIDES
THE LAST SHOOT III
WEB CAM DIES IN THE SEA
SHADOW OF THE SHADOW/WANG LIANG WEN JING
LIANAS
IMAGE_EXCHANGE
ACCIDENTAL PHONE CAPTURE SERIES
VITIV
氣/Qi
HUA清池观看游记/HUA QING CHI TRAVEL NOTES
UN-EXPOSING/影像连结
WHERE ARE YOU FROM
SING INTO THE VIRTUAL PRIVATE NETWORK
WINDOW
The FEEDBACK OF LOOKING
FANTASY OF BEING IN EXILE
100 Ft.
捕/Capture: A Solo Show
降B调的玻璃罩/GLASS COVER IN B FLAT
THE LAST SHOOT
SEEING AND HUMMING
JIYŪ• BUZIYOU/自由·不自由
SEE,AGAIN,THE PASSING OF LIGHT/再び、見る、消え去る光
MANIFESTO
FANTASY FOR SOLITUDE
WRITINGS & NOTES
ABOUT
MYSELF, MY PATHS, AND MY WORKS
I’M SORRY: A PERFORMED APOLOGY
边/GRAB AND SHOOT BETWEEN SIDES
THE LAST SHOOT III
WEB CAM DIES IN THE SEA
SHADOW OF THE SHADOW/WANG LIANG WEN JING
LIANAS
IMAGE_EXCHANGE
ACCIDENTAL PHONE CAPTURE SERIES
VITIV
氣/Qi
HUA清池观看游记/HUA QING CHI TRAVEL NOTES
UN-EXPOSING/影像连结
WHERE ARE YOU FROM
SING INTO THE VIRTUAL PRIVATE NETWORK
WINDOW
The FEEDBACK OF LOOKING
FANTASY OF BEING IN EXILE
100 Ft.
捕/Capture: A Solo Show
降B调的玻璃罩/GLASS COVER IN B FLAT
THE LAST SHOOT
SEEING AND HUMMING
JIYŪ• BUZIYOU/自由·不自由
SEE,AGAIN,THE PASSING OF LIGHT/再び、見る、消え去る光
MANIFESTO
FANTASY FOR SOLITUDE
WRITINGS & NOTES
ABOUT
MYSELF, MY PATHS, AND MY WORKS
边/GRAB AND SHOOT BETWEEN SIDES
THE LAST SHOOT III
WEB CAM DIES IN THE SEA
SHADOW OF THE SHADOW/WANG LIANG WEN JING
LIANAS
IMAGE_EXCHANGE
ACCIDENTAL PHONE CAPTURE SERIES
VITIV
氣/Qi
HUA清池观看游记/HUA QING CHI TRAVEL NOTES
UN-EXPOSING/影像连结
WHERE ARE YOU FROM
SING INTO THE VIRTUAL PRIVATE NETWORK
WINDOW
The FEEDBACK OF LOOKING
FANTASY OF BEING IN EXILE
100 Ft.
捕/Capture: A Solo Show
降B调的玻璃罩/GLASS COVER IN B FLAT
THE LAST SHOOT
SEEING AND HUMMING
JIYŪ• BUZIYOU/自由·不自由
SEE,AGAIN,THE PASSING OF LIGHT/再び、見る、消え去る光
MANIFESTO
FANTASY FOR SOLITUDE
WRITINGS & NOTES
ABOUT
MYSELF, MY PATHS, AND MY WORKS
100 Ft. (2019)
3’03’’ / digitized 16mm film / hd video / black and white / silent
It is to choose not to explicitly explain one representational cue for one specific cultural standpoint or political position, since we are affected by the simultaneity of all that is happening at the same time. It is both individual image-memory and collective memory of the ghosting past.
Included in the book Our Manifesto II: Videography Documentary Impulse
《我們的錄像宣言2: 記述的衝動》
Floating Projects 「據點 句點」, Hong Kong
http://floatingprojectscollective.net/art-notes/linda-lai-in-defense-of-video-manifestos-5/ http://floatingprojectscollective.net/art-notes/documentary-impulses-book-launch-02/
Collected by Videotage, Hong Kong (Videotage Media Art Collection, VMAC)
It is to choose not to explicitly explain one representational cue for one specific cultural standpoint or political position, since we are affected by the simultaneity of all that is happening at the same time. It is both individual image-memory and collective memory of the ghosting past.
Included in the book Our Manifesto II: Videography Documentary Impulse
《我們的錄像宣言2: 記述的衝動》
Floating Projects 「據點 句點」, Hong Kong
http://floatingprojectscollective.net/art-notes/linda-lai-in-defense-of-video-manifestos-5/ http://floatingprojectscollective.net/art-notes/documentary-impulses-book-launch-02/
Collected by Videotage, Hong Kong (Videotage Media Art Collection, VMAC)
