︎

hua xi zi 滑惜子


100 Ft. (2019)

 

Network/Web/Internet
SATELLITE IMAGE EXCHANGE
ALL JUST FRESH-OFF-THE-BOAT OR FLOATING
LIANAS
IMAGE_EXCHANGEACCIDENTAL PHONE CAPTURE SERIES

Performance (on-site + online)
I’M SORRY: A PERFORMED APOLOGY
边/GRAB AND SHOOT BETWEEN SIDES
THE LAST SHOOT III
WEB CAM DIES IN THE SEA
SHADOW OF THE SHADOW/罔两问景


AI

VITIV


Film/Video
氣/Qi
HUA清池观看游记/HUA QING CHI TRAVEL NOTES
UN-EXPOSING/影像连结
WHERE ARE YOU FROM
SING INTO THE VIRTUAL PRIVATE NETWORK
WINDOW
The FEEDBACK OF LOOKING
FANTASY OF BEING IN EXILE
100 Ft.


Installation
捕/Capture: A Solo Exhibition
降B调的玻璃罩/GLASS COVER IN B FLAT
 THE LAST SHOOT  
SEEING AND HUMMING
 JIYŪ• BUZIYOU 自由·不自由
SEE,AGAIN,THE PASSING OF LIGHT/
再び、見る、消え去る光


Writing
MANIFESTO
FANTASY FOR SOLITUDE
WRITINGS & NOTES



ABOUT
MYSELF, MY PATHS, AND MY WORKS



3’03’’ / digitized 16mm film / hd video / black and white /  silent

It is to choose not to explicitly explain one representational cue for one specific cultural standpoint or political position, since we are affected by the simultaneity of all that is happening at the same time. It is both individual image-memory and collective memory of the ghosting past.
Included in the book Our Manifesto II: Videography Documentary Impulse
                                  《我們的錄像宣言2: 記述的衝動》
                                    Floating Projects 「據點 句點」, Hong Kong
http://floatingprojectscollective.net/art-notes/linda-lai-in-defense-of-video-manifestos-5/ http://floatingprojectscollective.net/art-notes/documentary-impulses-book-launch-02/


Collected by Videotage, Hong Kong (Videotage Media Art Collection, VMAC)