hua xi zi 滑惜子


边/GRAB AND SHOOT BETWEEN SIDES
THE LAST SHOOT III
WEB CAM DIES IN THE SEA
SHADOW OF THE SHADOW/WANG LIANG WEN JING
IMAGE_EXCHANGE
ACCIDENTAL PHONE CAPTURE SERIES
氣/Qi
HUA清池观看游记/HUA QING CHI TRAVEL NOTES
UN-EXPOSING/影像连结
WHERE ARE YOU FROM
SING INTO THE VIRTUAL PRIVATE NETWORK
WINDOW
The FEEDBACK OF LOOKING
FANTASY OF BEING IN EXILE
100 Ft.
捕/Capture: A Solo Show
降B调的玻璃罩/GLASS COVER IN B FLAT
THE LAST SHOOT  
SEEING AND HUMMING
JIYŪ• BUZIYOU/自由·不自由
SEE,AGAIN,THE PASSING OF LIGHT/再び、見る、消え去る光
BE PRESENT WITH THE SHADOW
MANIFESTO
FANTASY FOR SOLITUDE





ABOUT
MYSELF, MY PATHS, AND MY WORKS




jiyū • buziyou 自由•不自由
(free • not free)
(2020)





Installation: a camera-projector loop built with webcams, computer, tripod, projector, cords; audiovisual program processed with Max/Jitter.


live camera feed (captured by the webcam on tripod) of images looking at the glass window from the outside
is sent to process by the computer and its program (Max).
the computer’s webcam is also capturing whomever comes close to the computer screen.
therefore forming an overlapped image between
the “image from the outside” and the “image in front of the screen”. 

as you come close to the screen, you will see the noisy images
while hearing the “sonified” change of the overlapping effect and the exposure (Max). 

the overlapped and processed images will feed into the projector,
projecting outwards back to the glass window. 

a loop.

Exhibited at Hairpin Art Center, Chicago, IL as part of 
“思考回路 II • Shikoukairo II”


https://chicagobihiro.org/about2020/