jiyū • buziyou 自由•不自由 (free • not free) (2020)
Network/Web/Internet
SATELLITE IMAGE EXCHANGE
ALL JUST FRESH-OFF-THE-BOAT OR FLOATING
LIANAS
IMAGE_EXCHANGEACCIDENTAL PHONE CAPTURE SERIES
Performance (on-site + online)
I’M SORRY: A PERFORMED APOLOGY
边/GRAB AND SHOOT BETWEEN SIDES
THE LAST SHOOT III
WEB CAM DIES IN THE SEA
SHADOW OF THE SHADOW/罔两问景
AI
VITIV
Film/Video
氣/Qi
HUA清池观看游记/HUA QING CHI TRAVEL NOTES
UN-EXPOSING/影像连结
WHERE ARE YOU FROM
SING INTO THE VIRTUAL PRIVATE NETWORK
WINDOW
The FEEDBACK OF LOOKING
FANTASY OF BEING IN EXILE
100 Ft.
Installation
捕/Capture: A Solo Exhibition
降B调的玻璃罩/GLASS COVER IN B FLAT
THE LAST SHOOT
SEEING AND HUMMING
JIYŪ• BUZIYOU 自由·不自由
SEE,AGAIN,THE PASSING OF LIGHT/
再び、見る、消え去る光
Writing
MANIFESTO
FANTASY FOR SOLITUDE
WRITINGS & NOTES
ABOUT
MYSELF, MY PATHS, AND MY WORKS
Installation: a camera-projector loop built with webcams, computer, tripod, projector, cords; audiovisual program processed with Max/Jitter.
live camera feed (captured by the webcam on tripod) of images looking at the glass window from the outside
is sent to process by the computer and its program (Max).
the computer’s webcam is also capturing whomever comes close to the computer screen.
therefore forming an overlapped image between
the “image from the outside” and the “image in front of the screen”.
as you come close to the screen, you will see the noisy images
while hearing the “sonified” change of the overlapping effect and the exposure (Max).
the overlapped and processed images will feed into the projector,
projecting outwards back to the glass window.
a loop.
Exhibited at Hairpin Art Center, Chicago, IL as part of
“思考回路 II • Shikoukairo II”
https://chicagobihiro.org/about2020/
