氣/Qi (2023)
Network/Web/Internet
SATELLITE IMAGE EXCHANGE
ALL JUST FRESH-OFF-THE-BOAT OR FLOATING
LIANAS
IMAGE_EXCHANGEACCIDENTAL PHONE CAPTURE SERIES
Performance (on-site + online)
I’M SORRY: A PERFORMED APOLOGY
边/GRAB AND SHOOT BETWEEN SIDES
THE LAST SHOOT III
WEB CAM DIES IN THE SEA
SHADOW OF THE SHADOW/罔两问景
AI
VITIV
Film/Video
氣/Qi
HUA清池观看游记/HUA QING CHI TRAVEL NOTES
UN-EXPOSING/影像连结
WHERE ARE YOU FROM
SING INTO THE VIRTUAL PRIVATE NETWORK
WINDOW
The FEEDBACK OF LOOKING
FANTASY OF BEING IN EXILE
100 Ft.
Installation
捕/Capture: A Solo Exhibition
降B调的玻璃罩/GLASS COVER IN B FLAT
THE LAST SHOOT
SEEING AND HUMMING
JIYŪ• BUZIYOU 自由·不自由
SEE,AGAIN,THE PASSING OF LIGHT/
再び、見る、消え去る光
Writing
MANIFESTO
FANTASY FOR SOLITUDE
WRITINGS & NOTES
ABOUT
MYSELF, MY PATHS, AND MY WORKS
19:57 / hd video / sound
excerpt link
A collector and gleaning of videos and sound bites gathered throughout the year of 2021 through 2022 in China. Camera is my body. Everyone needs to raise the phone to shoot, to scan (QR codes) in order to show our identity and prove our existence...... Are there still moments where we can permeate the screen to breathe and exhale? Singing through the releasing of the energy, via the screen. These videos are every honest moment I chose to raise the camera again after having decided to put it and and not shoot anymore. Whether it was out of relief, in fluke, or still with fear... The editing process was to assemble all fragments together without shortening each clip. Every beginning and end of each video and sound clip was the moments I pressed and released the record button on the phone screen.
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excerpt link
A collector and gleaning of videos and sound bites gathered throughout the year of 2021 through 2022 in China. Camera is my body. Everyone needs to raise the phone to shoot, to scan (QR codes) in order to show our identity and prove our existence...... Are there still moments where we can permeate the screen to breathe and exhale? Singing through the releasing of the energy, via the screen. These videos are every honest moment I chose to raise the camera again after having decided to put it and and not shoot anymore. Whether it was out of relief, in fluke, or still with fear... The editing process was to assemble all fragments together without shortening each clip. Every beginning and end of each video and sound clip was the moments I pressed and released the record button on the phone screen.
Also installed and projected as a video installation at my solo show, 捕/Capture at The Pond Gallery .
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