FANTASY OF BEING IN EXILE
(2019-2020)
Network/Web/Internet
SATELLITE IMAGE EXCHANGE
ALL JUST FRESH-OFF-THE-BOAT OR FLOATING
LIANAS
IMAGE_EXCHANGEACCIDENTAL PHONE CAPTURE SERIES
Performance (on-site + online)
I’M SORRY: A PERFORMED APOLOGY
边/GRAB AND SHOOT BETWEEN SIDES
THE LAST SHOOT III
WEB CAM DIES IN THE SEA
SHADOW OF THE SHADOW/罔两问景
AI
VITIV
Film/Video
氣/Qi
HUA清池观看游记/HUA QING CHI TRAVEL NOTES
UN-EXPOSING/影像连结
WHERE ARE YOU FROM
SING INTO THE VIRTUAL PRIVATE NETWORK
WINDOW
The FEEDBACK OF LOOKING
FANTASY OF BEING IN EXILE
100 Ft.
Installation
捕/Capture: A Solo Exhibition
降B调的玻璃罩/GLASS COVER IN B FLAT
THE LAST SHOOT
SEEING AND HUMMING
JIYŪ• BUZIYOU 自由·不自由
SEE,AGAIN,THE PASSING OF LIGHT/
再び、見る、消え去る光
Writing
MANIFESTO
FANTASY FOR SOLITUDE
WRITINGS & NOTES
ABOUT
MYSELF, MY PATHS, AND MY WORKS
super 16mm, black and white, digitized 16mm, optical sound, projection.
s
screened at:
CROSSROADS 2020 Film Festival, San Francisco Cinematheque, online, US
CROSSROADS 2020 – program 5 the rocks crumble
world – camera – film – computer – screen – camera – film – screen – world
This video projection is about the unattainable. The haunting longing between the present and the unobtainable memory is a romantic dream to fight for freedom. It is an audiovisual expression as a response to both history and future events. The translations of visual material—from world to film to the digital screen and back to the world—are failed attempts to obtain. Fear. It is about not re-enforcing the suffering images and lives. Abstraction. It is a result of the power today—we are not allowed to directly talk about realities, truths and memories. It is also an individual murmuring to the collective memory. The inability to stay; the fantasy to be exiled.
s
screened at:
CROSSROADS 2020 Film Festival, San Francisco Cinematheque, online, US
CROSSROADS 2020 – program 5 the rocks crumble
world – camera – film – computer – screen – camera – film – screen – world
This video projection is about the unattainable. The haunting longing between the present and the unobtainable memory is a romantic dream to fight for freedom. It is an audiovisual expression as a response to both history and future events. The translations of visual material—from world to film to the digital screen and back to the world—are failed attempts to obtain. Fear. It is about not re-enforcing the suffering images and lives. Abstraction. It is a result of the power today—we are not allowed to directly talk about realities, truths and memories. It is also an individual murmuring to the collective memory. The inability to stay; the fantasy to be exiled.
live 16mm projection loop documentation
<--- digitized video version of the 16mm film